Director:         Adrien Shergold  

Stars:              Maxine Peake, Paddy Considine, Alun Armstrong

Running time: 102 mins

Ratings:           IMDB                     6.6      (IMDB score is weighted average of audience scores out of 10)

             Rotten Tomatoes    77%    (Rotten Tomatoes score is % of professional critic reviews that are positive)

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The damp misery of England's summer less north isn't the first place you'd look for a few laughs. But that's where this tale about an aspiring stand-up comedian is set. However, its illustration of domestic woe may catch you off guard as this story is more a survival tale than a celebration of feel-good laughs. For a movie about a stand-up comedian, it's relentlessly glum.

Maxine Peake, plays the titular role of Funny Cow (we never discover her real name) as the film traces her life story from childhood giggler to fully-fledged stand-up comedian. Brought up at the hands of an alcoholic mother and a violent dad, she copes with the horrors of her upbringing the best way she knows how—by defiantly laughing in the face of her abusers. As with her belligerently cheeky disposition, this film is an exercise in resilience and offers very little in the way of the comic relief.

That's not to say it is entirely bereft of lighter moments. Her affair with the ironically named Angus (Paddy Considine) applies a dry-witted eloquence to proceedings. His response to her backstory, "Why is it all the beautiful people are f***ed up and all the wankers bestride the earth untouched," so eloquently summarises most of the film's broken characters. But despite offering some light at the end of the tunnel, even Angus eventually succumbs to the film's oppressive mood.

Oh, and fair warning, Funny Cow's standup routine, although historically authentic to the working men's clubs of the time, provides the kind of questionable racism that might make some viewers uncomfortable.

These quibbles aside, the film still has plenty to admire. Beautifully shot in all its bleak squalor, the cleverly considered narrative structure quite brilliantly reveals Funny Cow's life through fractured flashbacks. Some laser guided fourth-wall breaking, coupled with Peake's superb performance, hammers home some of the film's more salient themes. And if you can get through the depressing aspect, it does deliver a powerfully told tale of domestic survival that tugs on the heart-strings.

TOBY WOOLASTON